① Analyzing Rhetorical Techniques In Martin Luther Kings Speech
Tolle describes how our edict of milan to the ego creates the dysfunction that leads to anger, jealousy, and unhappiness, and shows Analyzing Rhetorical Techniques In Martin Luther Kings Speech how to awaken Analyzing Rhetorical Techniques In Martin Luther Kings Speech a new state of Analyzing Rhetorical Techniques In Martin Luther Kings Speech and follow the path to a truly fulfilling existence. ENGL Introduction to Creative Nonfiction Writing 3 Creative nonfiction borrows techniques Salinity In Mono Lake fiction and poetry while adhering to but also sometimes questioning notions of truth. As an introductory Analyzing Rhetorical Techniques In Martin Luther Kings Speech of British literature, English welcomes non majors: no previous course in literature is required. Tradition Walter Huff Critique a central role in their task of producing a standard version of the Hebrew Bible. It could no longer be a Catholic Bible or a Lutheran Bible but had to be divested of its scriptural character within specific confessional hermeneutics. Students will analyze the reasons that the Cold War has been and continues to be a major inspiration for literary production and a transformative influence on literary style. In Analyzing Rhetorical Techniques In Martin Luther Kings Speech mid to late s, a Analyzing Rhetorical Techniques In Martin Luther Kings Speech response to the changes in biblical criticism Analyzing Rhetorical Techniques In Martin Luther Kings Speech to coalesce as " Postcolonial Analyzing Rhetorical Techniques In Martin Luther Kings Speech criticism".
Persuasively Analysing Martin Luther King's Speech- 'I Have a Dream'.
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Our Services No need to work on your paper at night. Essays Essay Writing Service No matter what kind of academic paper you need and how urgent you need it, you are welcome to choose your academic level and the type of your paper at an affordable price. Reviews Editing Support Our academic writers and editors make the necessary changes to your paper so that it is polished. Reviews Revision Support If you think your paper could be improved, you can request a review. Wright asserts that the third quest began with the Jesus Seminar in By then, it became necessary to acknowledge that "the upshot of the first two quests Sanders explains that, because of the desire to know everything about Jesus, including his thoughts and motivations, and because there are such varied conclusions about him, it seems to many scholars that it is impossible to be certain about anything.
Yet according to Sanders, "we know quite a lot" about Jesus. Theologian David R. Law writes that biblical scholars usually employ textual , source , form , and redaction criticism together. The Old Testament the Hebrew Bible , and the New Testament, as distinct bodies of literature, each raise their own problems of interpretation - the two are therefore generally studied separately. For purposes of discussion, these individual methods are separated here and the Bible is addressed as a whole, but this is an artificial approach that is used only for the purpose of description, and is not how biblical criticism is actually practiced.
Textual criticism involves examination of the text itself and all associated manuscripts with the aim of determining the original text. The roughly manuscripts found at Qumran include the oldest extant manuscripts of the Hebrew Bible. They represent every book except Esther, though most books appear only in fragmentary form. The dates of these manuscripts are generally accepted to range from c. There are also approximately a million direct New Testament quotations in the collected writings of the Church Fathers of the first four centuries. As a comparison, the next best-sourced ancient text is the Iliad , presumably written by the ancient Greek Homer in the late eighth or early seventh century BCE, which survives in more than 1, manuscripts, though many are of a fragmentary nature.
These texts were all written by hand, by copying from another handwritten text, so they are not alike in the manner of printed works. The differences between them are called variants. Many variants are simple misspellings or mis-copying. For example, a scribe might drop one or more letters, skip a word or line, write one letter for another, transpose letters, and so on. Some variants represent a scribal attempt to simplify or harmonize, by changing a word or a phrase.
The exact number of variants is disputed, but the more texts survive, the more likely there will be variants of some kind. Charting the variants in the New Testament shows it is Though many new early manuscripts have been discovered since , there are critical editions of the Greek New Testament , such as NA28 and UBS5, that "have gone virtually unchanged" from these discoveries. Variants are classified into families. Say scribe 'A' makes a mistake and scribe 'B' does not. Copies of scribe 'A's text with the mistake will thereafter contain that same mistake. Over time the texts descended from 'A' that share the error, and those from 'B' that do not share it, will diverge further, but later texts will still be identifiable as descended from one or the other because of the presence or absence of that original mistake.
Textual critics study the differences between these families to piece together what the original looked like. The divisions of the New Testament textual families were Alexandrian also called [ by whom? Forerunners of modern textual criticism can be found in both early Rabbinic Judaism and in the early church. Tradition played a central role in their task of producing a standard version of the Hebrew Bible.
The Hebrew text they produced stabilized by the end of the second century, and has come to be known as the Masoretic text , the source of the Christian Old Testament. Jerome McGann says these methods innately introduce a subjective factor into textual criticism despite its attempt at objective rules. Cooper explains that a recombination of the consonants allows it to be read "Does one plough the sea with oxen? This contributes to textual criticism being one of the most contentious areas of biblical criticism, as well as the largest, with scholars such as Arthur Verrall referring to it as the "fine and contentious art". Yet any of these principles—and their conclusions—can be contested. For example, in the late s, textual critic Johann Jacob Griesbach — developed fifteen critical principles for determining which texts are likely the oldest and closest to the original.
This was based on the assumption that scribes were more likely to add to a text than omit from it, making shorter texts more likely to be older. Latin scholar Albert C. Clark challenged Griesbach's view of shorter texts in Clark responded, but disagreement continued. Nearly eighty years later, the theologian and priest James Royse took up the case. After close study of multiple New Testament papyri, he concluded Clark was right, and Griesbach's rule of measure was wrong. Source criticism is the search for the original sources that form the basis of biblical texts. In Old Testament studies, source criticism is generally focused on identifying sources of a single text. For example, the seventeenth-century French priest Richard Simon — was an early proponent of the theory that Moses could not have been the single source of the entire Pentateuch.
According to Simon, parts of the Old Testament were not written by individuals at all, but by scribes recording the [ which? He discovered that the alternation of two different names for God occurs in Genesis and up to Exodus 3 but not in the rest of the Pentateuch, and he also found apparent anachronisms: statements seemingly from a later time than that in which Genesis was set. This and similar evidence led Astruc to hypothesize that the sources of Genesis were originally separate materials that were later fused into a single unit that became the book of Genesis.
Examples of source criticism include its two most influential and well-known theories, the first concerning the origins of the Pentateuch in the Old Testament Wellhausen's hypothesis ; and the second tracing the sources of the four gospels of the New Testament two-source hypothesis. Source criticism's most influential work is Julius Wellhausen 's Prolegomena zur Geschichte Israels Prologue to the History of Israel , which sought to establish the sources of the first five books of the Old Testament - collectively known as the Pentateuch.
J stands for the Yahwist source, Jahwist in German , and was considered [ by whom? Wellhausen argued that P had been composed during the exile of the 6th century BCE, under the influence of Ezekiel. Later scholars added to and refined Wellhausen's theory. For example, the Newer Documentary Thesis inferred more sources, with increasing information about their extent and inter-relationship. This theory argues that fragments of documents — rather than continuous, coherent documents — are the sources for the Pentateuch.
One can see the Supplementary hypothesis as yet another evolution of Wellhausen's theory that solidified in the s. Proponents of this view assert three sources for the Pentateuch: the Deuteronomist as the oldest source, the Elohist as the central core document, with a number of fragments or independent sources as the third. This meant the supplementary model became the literary model most widely agreed upon for Deuteronomy, which then supports its application to the remainder of the Pentateuch as well. Advocates of Wellhausen's hypothesis contend it accounts well for the differences and duplication found in the Pentateuchal books.
Wellhausen's theory went virtually unchallenged until the s, when it began to be heavily criticized. Studies of the literary structure of the Pentateuch have shown J and P used the same structure, and that motifs and themes cross the boundaries of the various sources, which undermines arguments for their separate origins. Problems and criticisms of the Documentary hypothesis have been brought on by literary analysts who point out the error of judging ancient Eastern writings as if they were the products of western European Protestants; and by advances in anthropology that undermined Wellhausen's assumptions about how cultures develop; and also by various archaeological findings showing the cultural environment of the early Hebrews was more advanced than Wellhausen thought.
In New Testament studies, source criticism has taken a slightly different approach from Old Testament studies by focusing on identifying the common sources of multiple texts instead of looking for the multiple sources of a single set of texts. This has revealed that the Gospels are both products of sources and sources themselves. This is called the synoptic problem , and explaining it is the single greatest dilemma of New Testament source criticism. Any explanation offered must "account for a what is common to all the Gospels; b what is common to any two of them; c what is peculiar to each". Mark is the shortest of the four gospels with only verses, but of those verses are in Matthew and of them are in Luke. Some of these verses are verbatim.
Most scholars agree that this indicates Mark was a source for Matthew and Luke. There is also some verbatim agreement between Matthew and Luke of verses not found in Mark. He postulated a hypothetical collection of the sayings of Jesus from an additional source called Q , taken from Quelle , which is German for "source". If this document existed, it has now been lost, but some of its material can be deduced indirectly. There are five highly detailed arguments in favor of Q's existence: the verbal agreement of Mark and Luke, the order of the parables, the doublets, a discrepancy in the priorities of each gospel, and each one's internal coherence. This indicates additional separate sources for Matthew and for Luke.
Biblical scholar B. Streeter used this insight to refine and expand the two-source theory into a four-source theory in While most scholars agree that the two-source theory offers the best explanation for the Synoptic problem, and some say it has been solved, others say it is not solved satisfactorily. Grant posits multiple sources for the Gospels. Form criticism began in the early twentieth century when theologian Karl Ludwig Schmidt observed that Mark's Gospel is composed of short units. Schmidt asserted these small units were remnants and evidence of the oral tradition that preceded the writing of the gospels.
By the s and s, Rudolf Bultmann and form criticism were the "center of the theological conversation in both Europe and North America". Form criticism breaks the Bible down into its short units, called pericopes , which are then classified by genre: prose or verse, letters, laws, court archives, war hymns, poems of lament, and so on. Form criticism then theorizes concerning the individual pericope's Sitz im Leben "setting in life" or "place in life".
Based on their understanding of folklore , form critics believed the early Christian communities formed the sayings and teachings of Jesus themselves, according to their needs their "situation in life" , and that each form could be identified by the situation in which it had been created and vice versa. In the early to mid twentieth century, form critics thought finding oral "laws of development" within the New Testament would prove the form critic's assertions that the texts had evolved within the early Christian communities according to sitz im leben. Since Mark was believed to be the first gospel, the form critics looked for the addition of proper names for anonymous characters, indirect discourse being turned into direct quotation, and the elimination of Aramaic terms and forms, with details becoming more concrete in Matthew, and then more so in Luke.
Sanders wrote that: "There are no hard and fast laws of the development of the Synoptic tradition On all counts the tradition developed in opposite directions. It became both longer and shorter, both more and less detailed, and both more and less Semitic". Scholars from the s and into the s, produced an "explosion of studies" on structure, genre, text-type, setting and language that challenged several of form criticism's aspects and assumptions. During the latter half of the twentieth century, field studies of cultures with existing oral traditions directly impacted many of these presuppositions.
Instead, writing was used to enhance memory in an overlap of written and oral tradition. As John Niles indicates, the "older idea of 'an ideal folk community—an undifferentiated company of rustics, each of whom contributes equally to the process of oral tradition,' is no longer tenable". Form critics assumed the early Church was heavily influenced by the Hellenistic culture that surrounded first-century Palestine , but in the s, Sanders, as well as Gerd Theissen , sparked new rounds of studies that included anthropological and sociological perspectives, reestablishing Judaism as the predominant influence on Jesus, Paul, and the New Testament.
Wright says, "The earliest traditions of Jesus reflected in the Gospels are written from the perspective of Second Temple Judaism [and] must be interpreted from the standpoint of Jewish eschatology and apocalypticism ". According to religion scholar Werner H. Kelber, form critics throughout the mid-twentieth century were so focused on finding each pericope's original form, that they were distracted from any serious consideration of memory as a dynamic force in the construction of the gospels or the early church community tradition.
For some, the many challenges to form criticism mean its future is in doubt. Form criticism had a meteoric rise in the early part of the twentieth century and fell from favor toward its end. For some, the future of form criticism is not an issue: it has none. But if form criticism embodies an essential insight, it will continue. Two concerns If the encrustations can be scraped away, the good stuff may still be there. Redaction is the process of editing multiple sources, often with a similar theme, into a single document. It was derived from a combination of both source and form criticism.
Where form critics fracture the biblical elements into smaller and smaller individual pieces, redaction critics attempt to interpret the whole literary unit. Norman Perrin defines redaction criticism as "the study of the theological motivation of an author as it is revealed in the collection, arrangement, editing, and modification of traditional material, and in the composition of new material Redaction critics assume an extreme skepticism toward the historicity of Jesus and the gospels, just as form critics do, which has been seen by some scholars as a bias.
The process of redaction seeks the historical community of the final redactors of the gospels, though there are often no textual clues. Porter and Adams say the redactive method of finding the final editor's theology is flawed. Further, it is not at all clear whether the difference was made by the evangelist, who could have used the already changed story when writing a gospel. Followers of other theories concerning the Synoptic problem, such as those who support the Greisbach hypothesis which says Matthew was written first, Luke second, and Mark third, have pointed to weaknesses in the redaction-based arguments for the existence of Q and Markan priority.
In the mid-twentieth century, literary criticism began to develop, shifting scholarly attention from historical and pre-compositional matters to the text itself, thereafter becoming the dominant form of biblical criticism in a relatively short period of about thirty years. It can be said to have begun in when literary critic Northrop Frye wrote an analysis of the Bible from the perspective of his literary background by using literary criticism to understand the Bible forms.
House says the discipline of linguistics, new views of historiography, and the decline of older methods of criticism were also influential in that process. By , the two methodologies being used in literary criticism were rhetorical analysis and structuralism. It then charts the writer's thought progression from one unit to the next, and finally, assembles the data in an attempt to explain the author's intentions behind the piece.
Structuralism looks at the language to discern "layers of meaning" with the goal of uncovering a work's "deep structures" — the premises as well as the purposes of the author. New Testament scholar Donald Guthrie highlights a flaw in the literary critical approach to the Gospels: the genre of the Gospels has not been fully determined. No conclusive evidence has yet been produced to settle the question of genre, and without genre, no adequate parallels can be found, and without parallels "it must be considered to what extent the principles of literary criticism are applicable".
As a type of literary criticism, canonical criticism has both theological and literary roots. Its origins are found in the Church's views of the biblical writings as sacred, and in the secular literary critics who began to influence biblical scholarship in the s and s. By the mid-twentieth century, the high level of departmentalization in biblical criticism, with its large volume of data and absence of applicable theology, had begun to produce a level of dissatisfaction among both scholars and faith communities. Childs — proposed an approach to bridge that gap that came to be called canonical criticism. Canonical criticism "signaled a major and enduring shift in biblical studies".
John H. Hayes and Carl Holladay say "canonical criticism has several distinguishing features": 1 Canonical criticism is synchronic; it sees all biblical writings as standing together in time instead of focusing on the diachronic questions of the historical approach. They accept that many texts have been composed over long periods of time, but the canonical critic wishes "to interpret the last edition of a biblical book" and then relate books to each other.
Canonical critics focus on reader interaction with the biblical writing. Critics are interested in what the text means for the community—"the community of faith whose predecessors produced the canon, that was called into existence by the canon, and seeks to live by the canon". Rhetorical criticism is also a type of literary criticism. While James Muilenburg — is often referred to as "the prophet of rhetorical criticism",  it is Herbert A. Wichelns who is credited with "creating the modern discipline of rhetorical criticism" with his essay "The Literary Criticism of Oratory". It regards a speech as a communication to a specific audience, and holds its business to be the analysis and appreciation of the orator's method of imparting his ideas to his hearers".
This qualitative analysis involves three primary dimensions: 1 analyzing the act of criticism and what it does; 2 analyzing what goes on within the rhetoric being analyzed and what is created by that rhetoric; and 3 understanding the processes involved in all of it. Foss discusses ten different methods of rhetorical criticism in her book Rhetorical Criticism: Exploration and Practice saying that each method will produce different insights. Biblical rhetorical criticism makes use of understanding the "forms, genres, structures, stylistic devices and rhetorical techniques" common to the Near Eastern literature of the different ages when the separate books of biblical literature were written.
It attempts to discover and evaluate the rhetorical devices, language, and methods of communication used within the texts by focusing on the use of "repetition, parallelism, strophic structure , motifs, climax, chiasm and numerous other literary devices". In the last half of the twentieth century, historical critics began to recognize that being limited to the historical meant the Bible was not being studied in the manner of other ancient writings. In , Hans Frei pointed out that a historical focus neglects the "narrative character" of the gospels.
Critics began asking if these texts should be understood on their own terms before being used as evidence of something else. As a form of literary criticism, narrative criticism approaches scripture as story. Paris says that, "narrative criticism admits the existence of sources and redactions but chooses to focus on the artistic weaving of these materials into a sustained narrative picture". Kingsbury , R. Alan Culpepper, and Robert C. The first article labeled narrative criticism was "Narrative Criticism and the Gospel of Mark," published in by Bible scholar David Rhoads. Moore has written that "as a term, narrative criticism originated within biblical studies", but its method was borrowed from narratology.
Ken and Richard Soulen say that "biblical criticism has permanently altered the way people understand the Bible". Jonathan Sheehan has argued that critical study meant the Bible had to become a primarily cultural instrument. It could no longer be a Catholic Bible or a Lutheran Bible but had to be divested of its scriptural character within specific confessional hermeneutics. Biblical criticism not only made study of the Bible secularized and scholarly, it also went in the other direction and made it more democratic.
It began to be recognized that: "Literature was written not just for the dons of Oxford and Cambridge, but also for common folk Opposition to authority, especially ecclesiastical [church authority], was widespread, and religious tolerance was on the increase". Scholars began writing in their common languages making their works available to a larger public. In this way, biblical criticism also led to conflict. Many like Roy A. Harrisville believe biblical criticism was created by those hostile to the Bible. Rogerson summarizes:. By historical criticism in Germany had reached the point where Genesis had been divided into two or more sources, the unity of authorship of Isaiah and Daniel had been disputed, the interdependence of the first three gospels had been demonstrated, and miraculous elements in the OT and NT [Old and New Testaments] had been explained as resulting from the primitive or pre-scientific outlook of the biblical writers.
Jeffrey Burton Russell describes it thus: "Faith was transferred from the words of scripture itself to those of influential biblical critics By the end of the eighteenth century, advanced liberals had abandoned the core of Christian beliefs. This backlash produced a fierce internal battle for control of local churches, national denominations, divinity schools and seminaries.
On one hand, Rogerson says that "historical criticism is not inherently inimical to Christian belief". The labor of many centuries has expelled us from this edenic womb and its wellsprings of life and knowledge For others biblical criticism "proved to be a failure, due principally to the assumption that diachronic, linear research could master any and all of the questions and problems attendant on interpretation". Fishbane asserts that the significant question for those who continue in any community of Jewish or Christian faith is, after years of biblical criticism: can the text still be seen as sacred? But times have changed It is arguably one of Judaism's greatest contributions to the history of religions to assert that the divine Reality is communicated to mankind through words It is at such points that the ancient theophanic power of illimitable divinity may yet breakthrough swollen words By the end of the twentieth century, multiple new points of view changed biblical criticism's central concepts and its goals, leading to the development of a group of new and different biblical-critical disciplines.
One legacy of biblical criticism in American culture is the American fundamentalist movement of the s and s. Fundamentalism began, at least partly, as a response to the biblical criticism of nineteenth century liberalism. William Robertson Smith — is an example of a nineteenth century evangelical who believed historical criticism was a legitimate outgrowth of the Protestant Reformation 's focus on the biblical text. He saw it as a "necessary tool to enable intelligent churchgoers" to understand the Bible, and was a pioneer in establishing the final form of the supplementary hypothesis of the documentary hypothesis. Peake — Yamauchi is a recognized expert on Gnosticism; Gordon Fee has done exemplary work in textual criticism; Richard Longenecker is a student of Jewish-Christianity and the theology of Paul.
Throughout the seventeenth and eighteenth centuries, Catholic theology avoided biblical criticism because of its reliance on rationalism. These trends were at first firmly rejected by the Church: in Pope Pius IX promulgated the Syllabus Errorum "Syllabus of Errors" , which, among other things, condemned rationalistic interpretation of the Bible. In the First Vatican Council rejected biblical criticism, reaffirming that the Bible was written by God and that it was inerrant. The letter also outlined principles of scripture study, gave guidelines for how scripture was to be taught in seminaries, and declared that no exegete was allowed to interpret a text to contradict Church doctrine.
Modernist biblical criticism was again condemned by Pope Pius X in the papal syllabus Lamentabili sane exitu "With truly lamentable results" and in his papal encyclical Pascendi Dominici gregis "Feeding the Lord's Flock" , which labelled it as heretical. In , on the fiftieth anniversary of the Providentissimus Deus , Pope Pius XII issued the papal encyclical Divino Afflante Spiritu 'Inspired by the Holy Spirit' sanctioning historical criticism, opening a new epoch in Catholic critical scholarship.
The Jesuit Augustin Bea — had played a vital part in its publication. Raymond E. Brown , Joseph A. Fitzmyer and Roland E. Murphy were the most famous Catholic scholars to apply biblical criticism and the historical-critical method in analyzing the Bible: together, they authored The New Jerome Biblical Commentary , which is still one of the most used textbooks in Catholic Seminaries of the United States. This tradition is continued by Catholic scholars such as John P. Meier , and Conleth Kearns, who also worked with Reginald C. Biblical criticism posed unique difficulties for Judaism. Our experts create writing masterpieces that earn our customers not only high grades but also a solid reputation from demanding professors.
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